🔗 Share this article The Synth-Pop Duo's Creative Genius Dave Ball Dies, at the Age of 66 Dave Ball (on the left) established Soft Cell alongside Marc Almond in Leeds in 1977 The talented musician, one half of the pioneering 1980s electronic music duo Soft Cell, has died at the age of 66. Alongside vocalist Marc Almond, the pair scored a global success with their cover of Gloria Jones' Tainted Love in the mid-80s, and their first record Non-Stop Erotic Cabaret is regarded as a classic of electronic music. He subsequently formed the innovative techno group The Grid, who achieved chart success with their 1994 single the hit Swamp Thing. Ball died peacefully in his rest at his residence in London on October 22, just weeks after performing a featured performance with Soft Cell at the Rewind music event in Henley-on-Thames. Health Struggles During that performance, Ball performed in a mobility chair, as he had for the previous couple of years, after a period of ill-health. "I ended up injure myself significantly," he stated in a recent interview. "I fractured lower vertebrae in my back and fractured about multiple ribs and broke my wrist." After contracting a lung infection and suffering from sepsis, he was placed in an induced coma and stayed in hospital for half a year. However, he had been in "high spirits emotionally" over the summer, as he worked on a fresh record with Almond, called the upcoming Danceteria, which is set for release in the coming year. "He was concentrated and so happy with the latest project that we literally completed only a short time ago," said the singer in a heartfelt message. "It's truly heartbreaking as next year was completely planned to be such an uplifting time for him, and I take some solace from the knowledge that he heard the finished record and felt that it was a great piece of work." The duo were at the forefront of the electronic music scene in the beginning of the decade Heartfelt Messages Almond referred to his collaborator as "a wonderfully brilliant creative mastermind", stating: "He was the core essence of Soft Cell and I'm extremely pleased of our legacy. "Many thanks Dave for being an significant aspect of my life and for the songs you created with me. I couldn't be where I am without you." Richard Norris from The Grid, also paid tribute, remembering Ball's "endless laughter" and "steadfast support". "Being in a partnership with someone is different from joining a group, the connection is very tight," he continued. "That was the case with us. We experienced so many extraordinary, extraordinary, life-affirming moments together. Many thanks, Dave." Dave Ball, pictured at a radio station in recent years Early Life Born into a one-parent family in Chester in 1959, Ball was given up for adoption when he was 18 months old. He was raised in Blackpool with adoptive parents Donald and Brenda Ball, who changed his first name from Paul to David, together with his younger sister his sister, who was also adopted. He encountered Almond at Leeds Polytechnic in 1977, where they were both learning fine arts. Fuelled by a mutual passion of a music genre, they formed Soft Cell the very year, and quickly produced an extended play. Musical Partnership The duo were an unusual pairing: Ball was the reserved technician, hunched over his keyboard, while Almond was a charismatic performer, all glitter and makeup; but they attained a unique creative synergy. Ball had developed a interest with synthesizers after watching Kraftwerk appear on a television program a popular series, and started to combine dark electronica to the soaring melodies Almond was writing. Their signature song became the United Kingdom's second most popular single of 1981, shifting millions of units worldwide. Together with hits by other artists, Human League and electronic acts, it helped paved the path for the electronic music style of the 80s. The track was also included on their full-length debut, Non-Stop Erotic Cabaret, which produced two additional high-charting hits: Bedsitter and Say Hello, Wave Goodbye. They continued the album up with the stand-alone single, Torch, which reached at the second position in the following year. The pair were working on fresh songs right up until Ball's passing Professional Journey Fame had its upsides. "I loved being able to purchase my initial property, having money and travelling, which makes me sound like a beauty queen," Ball recently told with a publication. But it also presented challenges. "Newfound wealth allowed we could afford substances to relieve the boredom" of press appearances and television shows, Ball explained. "I know that's a cliché, but it's a truism for a valid cause, because it works for so many bands." Amidst the party-filled existence, the pair were also growing distant, but they succeeded to create a follow-up classic album - the unconventional, edgy and fittingly named The Art Of Falling Apart. They released another LP, their 1984 release This Last Night In Sodom, before ending the group to concentrate on individual endeavors. Almond proceeded to have a prosperous solo career, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed acid house with ambient pop over a long-lasting partnership. Later Work and Comebacks Soft Cell reunited in the early 2000s, releasing the Top 40 record Cruelty Without Beauty. After another hiatus, they reappeared in recent years, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a final performance at the large venue on 30 September, that year. However, they remained active, creating their latest project, Happiness Not Included, during the 2020 restrictions. Ball lately characterized the band's new album as a homage to the New York club scene they frequented while recording their initial records. He noted that his time in medical care had shaped the group's music. "I had unusual memories when I was coming and going of hospital because I was on morphine," he explained to a publication. "The new songs are a digital reflection of the noises in my mind from that time. "Simultaneously, it's about the times me and Marc got up to in the 80s." The final mixes were finished only days before Ball died. It is due for launch in the spring of 2026.